Nature Unplugged
"Nature Unplugged" is a temporary, acoustic architecture and experimental installation as part of the "Frequencies" series. It captures the sonic dimensions of nature in the city with geometric shapes, amplifies them and invites you to sit and relax.
Type
 Type of intervention: Installation
 Project character: art
 theme: green city / acoustics / silence
 Project Objective: Playing / Discourse
Location
 Project location: Munich; Milbertshofen-Am Hart; meadow between Olympiaberg, Olympia-Alm & Schuttblume in the southern Olympic Park
 Project dimension: approx. 175 m2
Time
 Project period: 01.06.19-29.08.19
 Project duration: 2 months
 project frequency: one-time
 Project timings: ongoing
Space
 Type of open space: park
 Ownership: public land
 Accessibility: not restricted
Actors
 Client*s: Department of Culture, City of Munich // Administration
 Creators: Franziska Agrawal // artist
 Project partners: unknown
 Other actors: unknown
Funding
 (Commissioned) budget: Department of Culture, City of Munich // Administration
 Funding: unknown
 Own funds: none
Planning context ★★★☆☆
 Thematic planning context:
 Nature and "silence" can be intensified and consciously perceived with the help of the architectures.
Spatial planning reference:
 The installation does not have a specific spatial reference; the focus is on the acoustic perception of nature in the city, embedded in the Olympic Park.
Research sources
 Kulturreferat, Dept. 1 - Art in Public Space, 2018. competition Art in Public Space for project applications up to EUR 15,000 gross for 2019: "Frequenzen". (https://www.bbk-muc-obb.de/sites/default/files/ausschreibung%20kunst%20im%20öffentlichen%20raum%20-%20frequenzen.pdf, 13.06.2019)
 Landeshauptstadt München, n.d. Frequenzen - akustische Dimensionen der Stadt. (https://www.muenchen.de/rathaus/Stadtverwaltung/Kulturreferat/Bildende-Kunst/Kunst-im-oeffentlichen-Raum/Frequenzen.html, 13.06.2019)
Authors
 Melissa Apolaya, Victoria Wakulicz
Photographer profile
 Victoria Wakulicz, TUM, 2019
Editorial revision
 Johann-Christian Hannemann, Felix Lüdicke, Julia Treichel
Publication/Status
 20.06.2019



